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▲What I look for in typeface licensesdavesmyth.com
27 points by gregwolanski 8 hours ago | 10 comments
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edwinjm 2 hours ago [-]
I used to buy fonts, but font foundries made such a mess with licensing that I only use OFL licensed fonts now.
alberth 4 hours ago [-]
> Allow subsetting

I've always found this odd as well that when licensing web fonts, typically the foundries don't allow you to subset (or provide a subset version of their own).

tempfile 4 hours ago [-]
If it's not OFL, it goes in the bin.
FinnKuhn 2 hours ago [-]
Licensing fonts is just such a headache that I would never want to deal with it. They are usually based on metrics that are pretty cumbersome to track.

If you want a custom font where no OFL licensed alternative would work I'd rather hire someone to design a new font. I guess that is also the reason so many companies now have their own custom font (e.g. Spotify, Adobe, etc.).

pabs3 2 hours ago [-]
Just beware of OFL with a Reserved Font Name, you can't modify them (and building from source counts as modification) and redistribute without renaming them. This is especially a problem for Debian since they like to build everything from source, including fonts.

https://wiki.debian.org/Fonts/Bugs/rfn-violation https://wiki.debian.org/AutoGeneratedFiles

mattigames 4 hours ago [-]
In a world where art illustrations are being copied left and right by AI what is stopping the exact same thing to happen to typefaces? (And with it any license inconveniences)
Kerrick 4 hours ago [-]
The design of typefaces aren’t copyrighted in the U.S. The only thing that is protected is the software: TTFs, OTFs, etc. [1] That’s why so many clones of popular fonts (and old metal type) exist.

These days the value in a font isn’t in the letterforms, it’s in the kerning, ligatures, variability, etc. which all flows from the software. It’s also where a significant amount of the labor in creating a typeface comes from. And it’s the thing that sets apart professional-quality fonts from many (but not all!) free ones.

If AI can write new font software by cloning bitmaps of letterforms _and_ get the kerning, ligatures, variability, etc. right… it’ll change the type foundry industry in a big way.

[1]: https://www.copyright.gov/circs/circ33.pdf

lcmchris 3 minutes ago [-]
I'm actively working on this with Fontweaver.com.

I do absolutely think integrating into the deeper features and functionality of fonts and opentype is what will make it work!

WillAdams 3 hours ago [-]
A recent doctoral thesis which looks at this:

https://lttrface.com/doctoral-thesis

Video from a talk from the ATD3 conference in Nancy which briefly explains the thesis https://vimeo.com/1059759506

EvanAnderson 3 hours ago [-]
I see a project in there to generate kerning, hinting, etc, by rending text with commercial fonts then building a model against the rendered text.